追风筝的人英语读后感【精彩20篇】

Stendhals "the red", wrote the young French in the story. Julien is a talented, ambitious, have self-esteem, also have a conscience. Many evaluation in even said to be blindly upwardly ambitious. But as I am concerned, I think they are ignored, is in the conscience. Or ignore the standing behind the story of the author to the spirit of thinking.

Even is aspirant. In even the ambitious expansion process is the story the surface is also the most direct clues. In Germany. Reinard holidays, to even think: "I must get in the woman body," "so if one day I success stories, I catch a tutor was accused of such low-down profession, I can tell him, it was love that brought me to this position." But even as a philosopher, his thinking about life, think of Paris, in his mind now is when the hero like napoleon!

On the means of characterization, stendhal used beyond contemporary writer and psychological depth of mining. A profound and exquisite style shows the hero heart enough space, widely used in the monologue and free association were dug up and various artistic techniques in even deeper conscious activity, and created the "stream of consciousness novels" future generations "psychological novel". "Is a" spirit of philosophy and poetry.

The title for people also caused a dispute, usually, people think the "red" in the title is a symbol of the Napoleonic era uniforms; "Black" restoring ancient ways is wang s monks in black. There are also people who believe that red is the blood of DE, the lady, black is martell mourning; The red is a symbol of bets on the red dot, a symbol and roulette game of life, etc. I think red can also represent in the pursuit of the meaning of life, and the black is mixed in the society in its interests to try very hard to travel, but I do not understand the real meaning of our existence condition!!!!

司汤达的《红与黑》，写的是法国青年于连的故事。于连是一个有才华，有野心，有自尊，也有良心的人。许多评价把于连说成是一味向上爬的野心家。但我个人而言，我觉得他们都忽略了一点，就是于连良心的一面。或者说忽略了站在故事背后的作者进行的精神思考。

于连确实是野心家。于连的野心膨胀过程是故事最表面也是最直接的线索。在德。雷纳尔放假，于连想：“我一定要在这个女人身上得手，”“那样如果有一天我发迹了，有人指责我赶过家庭教师这样下等的职业，我就可以告诉他，是爱情把我抛到这个职位上的。”但是于连也像一个哲学家，他思考人生，思考巴黎，在他的脑中挥之不去的是当像拿破仑般的英雄。

在人物塑造的手段上，司汤达使用了超出同时代作家所能及的心理深度的挖掘。以深刻细腻的笔调充分展示了主人公心灵空间，广泛运用了独白和自由联想等多种艺术手法挖掘出了于连深层意识的活动，并开创了后世“意识流小说”“心理小说”的先河。是一首“灵魂的哲学与诗”。

对于书名人们也引起了一番争论，通常，人们认为书名中的“红”是象征拿破仑时代的军服;“黑”是王政复古年代的僧侣黑衣。也有人认为，红是德·瑞那夫人的鲜血，黑是玛特尔的丧服;红与黑是象征赌盘上的黑点红点，而轮盘则象征人生的游戏等。我认为红色还可以象征于连的追求人生意义，而黑色就代表社会中形形色色为了自己的利益而拼命奔波，却不理解自己存在真正意义的生存状态吧!

The insects to record "is a famous French entomology French Boolean with life time and effort, through careful observation of insect life, and a detailed written record. Introduces the instinct of the insects, habits, labor, reproduction and death. The book includes 10 copies, summer vacation I have read a small part.

Through reading makes us feel truly fabre observe carefully, even a little firefly he see clearly how to hunt. He also painstakingly, tracking the maze is how to lay eggs and raise the baby spiders. In order to observe the caddis life habits, he kept some personally, tells the story of the stone of silkworm rearing room how to use the simple house might. Faber this spirit of perseverance, explore nature of how worthy of our learning!

Read the insects to record "make me grow a lot of knowledge, such as: the battle between ants and cicada, know the ants are stubborn beggar, cicada is industrious producers; Mantis is good at using the psychological tactics, is a real psychological expert, but it has since cannibalism, brutal very; And in the midst of a variety of insects, the cricket is the real philosopher, superb architectural technology...

From the insects to record "the description of this book, you can see the authors unique. , his language vivid, lively and full of fun. He put his feelings into the observation, we learned that the insects is closely related to the environment. Later I will carefully observe things around like faber.

《昆虫记》是法国著名昆虫学家法布尔用一生的时间与精力，通过仔细观察昆虫的生活，并且详细的记录编写的。介绍了昆虫的本能、习性、劳动、繁衍和死亡。全书包括10大册，暑假里我读了一小部分。

通过读书使我们真真实实地感觉到了法布尔观察得仔细，就连小小的萤火虫怎样捕食他都看得清清楚楚。他还不辞辛苦，追踪观察了迷宫蛛是怎样产卵和养育宝宝的。为了观察石蚕的生活习性，他亲自养了一些，讲述了石蚕室如何利用简易房子金蝉脱壳。法布尔这种坚持不懈、探索大自然的精神多么值得我们学习呀!

读了《昆虫记》使我增长了很多知识，例如：蚂蚁和蝉之间的斗争，知道了蚂蚁是顽强的乞丐，蝉才是勤劳的生产者;螳螂善于运用心理战术，是一个真正的心理专家，但它却自食同类，凶残的很;还有在各种昆虫当中，蟋蟀是地道的哲学家，有高超的建筑技术……

从《昆虫记》这本书的描写，可以看出作者的独具匠心。,他语言生动、活泼，而且充满了情趣。他把感情融入到观察当中，使我们了解到昆虫与环境息息相关。以后我也要像法布尔那样仔细观察身边的事物。

我看了《风筝》这篇文章后，知道了这篇文章的主要内容是讲了鲁迅认为风筝是没出息的孩子才玩的，所以他很不喜欢风筝。鲁迅还有一个十岁的小兄弟。小兄弟非常喜欢玩风筝，而鲁迅又不让这一个小兄弟玩;每一次这位小兄弟想玩时，只好看一下天上的风筝。小兄弟不能玩风筝是还有一个原因的，就是他买不起。有一天，小兄弟在看风筝的时候，看见远处的蟹风筝突然落下来了，他惊呼;两个瓦片风筝的缠绕解开了，他非常高兴。而鲁迅却把这些行为看成笑柄，可鄙的。

有一天，鲁迅忽然觉得似乎多日没见这位小兄弟了，但记得曾见他在后花园拾竹。鲁迅恍然大悟，便跑去很少人去的堆积杂物的小屋里，推开门，果然在什物中发现了他，他正在做风筝，鲁迅看到了马上把风筝给踏坏了，把小兄弟伶仃地留在了小屋里，后来他怎样，鲁迅也没有留心。

然而，鲁迅的惩罚终于到了，他不幸地看到了一本外国的讲论儿童书。才知道游戏是儿童最正当的行为，玩具是儿童的天使。鲁迅又想起二十年前那一件事，而鲁迅的心也仿佛同时变了铅块，很重很重地坠下去了。在那时候，他们又见面了，谈起了童年的往事，鲁迅正想求他的宽恕，小兄弟却说什么都忘记了，鲁迅的心从此只得沉重着。

我看了这篇文章，觉得鲁迅是一个很不喜欢风筝的人，认为风筝只是没出息的小孩才玩的，最后，鲁迅明白了一个道理，就是游戏是儿童最正当的行为，玩具是儿童的天使。鲁迅那时很后悔，因为鲁迅以为玩是浪费时间的行为， 那是有原因的：就是因为鲁迅小时候家庭很困难，常要拿东西去当铺，每天都要干家务，所以他认为玩是很浪费时间的，他自己不玩，还很固执，不让自己的朋友玩，所以他长大后后悔了。

我以后不能学鲁迅那么固执，对人要宽容。

小说《追风筝的人》，故事的起源便是一个阿富汗男孩无法面对由于怯懦所犯的过错，而选择了谎言和卑劣，终为自己织就了一生的罗网。人到中年，才选择了"再次成为好人的路".小说里最重要的意象，风筝，既象征了兄弟情谊，也暗示着勇气。在风筝放飞的过程中，可能血迹淋漓，但只有最终追到风筝的人，才能获得平静和安宁。

对于打算读这部小说的人，我想提出这样的忠告：如果你不相信灵魂，不相信人天性里有一种清洁功能，那还是别读为好。

诚如作者所言，"许多年过去了，人们说陈年旧事可以被埋葬，然而我终于明白这是错的，因为往事会自行爬上来。回首前尘，我意识到在过去二十六年里，自己始终在窥视着那荒芜的小径。"

When I was a freshman in college I watched the film Gua Sha Treatment for the first time, now I am a junior student and I come back to review the movie from a multicultural aspect, I have many different feelings after watching the film again.

At the beginning of the film, XuDatong is given an award and later he delivers a speech. What makes me impressed most is in his speech he says “one day I will become one of you, a truly successful American, today this award proved that America is a true land of opportunity and I am the living proof of that.” At that moment Xu thinks he has realized his American Dream totally with his lovingly wife and adorable son. However, I think it is ironical that to make a speech like that and I assume it is made on purpose to hind a clue for the story’s development. How many non-American people have such a beautiful American dream? One of my classmate studies in American now and before he went aboard he told me his American dream is he can stand at the top of the New York. To be honest, I also dream that one day I can get the Green Card living there happily and successfully maybe working at the Wall Street. When Xu gets the award he thinks he entirely melted in the melting pot neglecting the multicultural obstruct, later the plot goes against the way he thinks. And later Quinlan asked Xu ‘why you be the scapegoat of your father?’ Xu answers ‘because he is Chinese.’ Then maybe Xu knows that there is always a wide gap between Chinese and American cultures.

The second scene is Xu hit his son Denis because Denis hit the son of xu’s boss, at the middle of the film xu tells his boss that he hit his own son is only to show his respect to his boss John Quinlan, that time Quinlan feels puzzled “what a Chinese logic”， yes, American can never understand such a logic full of Chinese characteristic, because they respect everyone including the children, they won’t beat a child to please the boss, and there is no such a conception of degree between employee and employer, they feel everyone is equal, which is quite different from china.

Connected to the second scene, the third difference I want to analyze is the care for the children. In America, people pay more attention to the right of children which can be seen from the law—leaving children alone at home is illegal, while in China it is so common that almost everyone may experience such loneliness. And Children Welfare Agency does work in America which shows the importance Americans attach to children’s right. What’s more, I remember a line ‘No one won the case, especially the child.’ In my opinion, it also manifests the universal concern from the American public to the children.

The fourth aspect is following the procedure, in the film, more than there times, the people focus on the rule, the law, the procedure. At the Christmas Eve Xu wants to return back to his home pretending as a Santa Claus, what a pity, the security recognizes him and persuades ‘you are always a good tenement, never causes troubles for me.’ And another scene is at the end of the film , the judge says ‘I have to follow the procedure.’ However, in China people always have to ask for a favor to do something, and later you have to pay back the favor ，for myself, I prefer the American style, strict to the procedure.

The fifth and the last point is the humors, Quinlan says ‘you can’t fall, your health security is the company paid.’ ‘Datong, welcome home, maybe next time, you can come from the front door.’ ‘dady, why you come from the window’ ‘ because we don’t have a chimney.’ I really adore this distinguished American humor, especially in dangerous situations, which is quite rare in China.

That’s my whole reaction to Gua Sha Treatment.

Every card was born in a poor family, more unfortunately, he had no parents, only to grandpa lived alone with grandpa age gradually grow old, life has become more and more difficult, had to 9 years old who do apprentice card to the rich.

Eat a little bread slag in the morning, noon to drink gruel, night is a bit of bread crumbs, as for food, tea, not at all. In the evening sleep, he had no bed, but sleeping in the corridor. Its not too, every time when the boss of small zai son cry, every card has to shake the cradle, if asleep, you will get the boss.

But we are happy, not revenge wear, drink and eat. Can also be in the beautiful school, learn knowledge. In the morning I just woke up from my dream, my mother gave me a good breakfast; After school, 3 dish one soup appeared in front of my eyes. We wear high-end clothing, playing electronic toys, bath grew up in parents caress all day.

Is 9 years old is the time to accept education. At this time we already sitting in the classroom. But every card? Day to toil is not in the bosss house, to make matters worse, every night to go to the bosss son cradles, sometimes a wave is a night, a night ah, small any card can support?

Every card lost too much. No family care, no people care about, no... Hes more than enough fate away, but cruel boss, wife of shop-owner also repeat abuse him, how cruel it is for his life and fate!

I also know the evil of Russian ruling classs killing dont blink!

Our socialist China is a new generation of young, at the same time of enjoying happiness childhood childhood, more study hard, a better construction of the motherland in the future.

凡卡出生在一个贫困的人家，更加不幸的是他没有父母，只能跟爷爷相依为命随着爷爷年纪逐渐变老，生活越来越艰难，只好将9岁凡卡送到富人家去做学徒。

早晨吃一点儿面包渣，中午喝稀粥，晚上又是一点儿面包渣，至于菜阿茶啊，根本没有。到了晚上睡觉时，他没有床，而是睡在过道里。这还不算，每次当老板的小崽子一哭，凡卡就得去摇那个摇篮，如果睡着了，还会挨老板的打。

但我们是多幸福，不仇穿，喝，吃。还可以在美丽的学校里，学知识。早上我刚从梦中醒来，妈妈便给我端来了美味的早点;放学后，3菜1汤便出现在我的眼前。我们穿着高档服装，玩着电子玩具，整天沐浴在父母抚爱中长大。

9岁正 是接受教育的时候。我们在这个时候早已坐在教室里了。而凡卡呢?在老板家白天做苦力也不算，更糟的是，每天晚上还要去给老板的儿子去摇摇篮，有时一摇就是一夜，一夜啊，小凡卡能支持住吗?

凡卡失去的太多了。没有亲人的照顾，没有人们的关心，没有……命运夺走他的够多了，可狠心的老板、老板娘还百般虐待他，生活和命运对他来说是多么残酷呀!

我也懂得万恶的沙俄统治阶级真是杀人不眨眼!

我们是社会主义中国的新一代的少年，在享受幸福童年的童年的同时，更要努力学习，将来把祖国建设得更加美好。

《百万英镑》是马克.吐温写的一篇中篇幽默讽刺小说。本文故事是，一位公务员出海时在公海中迷了路，被救起后随船到了英国。在英国他成了流浪汉，因为一次两名富翁打赌，给他了一张100万英镑整的钞票，看他可不可以养活自己一个月。因为无法证明钞票归他所有，他一开始不敢花，后来实在饿得没有办法，拿钞票去饭店试试，结果店老板认为他是个富翁，允许他欠账，还想送给他东西，讨好他。结果他用这种方式，弄够了所有生活用品，还和别人合作赚了30万英镑。

这篇文章讽刺了那些以貌取人、见钱眼开的人。这些人见对方有钱，就甘愿为对方服务，而对于对方虚实，一概不问。他们这类人为金钱服务，信奉 “金钱万能”。这种人若变多，就会助长“金钱万能”这种社会风气的形成，金钱会异化成为人们的唯一动力。当前我们身边社会，也有这种习气的存在。从大处说，去年曾有某造纸工厂排污不达标一次用120万元买断全年的罚款，从小处说，找人办事送礼成风也是这种习气的体现。因此，我们不能信奉“金钱万能”，而且凡遇到事情，应该从本质着眼，看清事物的真相，而不应只看表面，不应盲从。

The novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.

The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroines. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE (looking back). CB is clever in blending the narrative so that at times Jane seems to be speaking as an adult with adult hindsight , while at others she she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.

This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of JEs life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.

The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.

There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novels strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.

Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)

The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength.

The Gothic influence cannot be ignored, although CB has refined the technique considerably from the "authentic" Gothic of the 1790s. In the original genre, the heroine would typically be abducted and threatened with seduction, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the seducer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.

There was little freedom for middle class women during the period of the Gothic novel, and this was still the case in the time of CB. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A womans value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.

In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abducted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.

The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.!

最震撼我的小说之一。

作者的文风和文笔十分柔和，没有什么很犀利的描写，全文的叙述读起来很舒服，刚读起来没有太大的情感波动，但是看完却回味无穷。全文采用了第一人称，但读起来没什么代入感，反而像是听主角讲述他自己的故事，像文中阿米尔给哈桑讲的故事一样。文中的环境描写，动作和语言描写，心理描写的十分具体充实，反而在情节，剧情方面，叙述的事情就几个，阿米尔和哈桑的童年生活，阿米尔及父亲后来去美国的日子，以及多年以后阿米尔重返阿富汗的救赎之路。这三个部分详细描写。

作者讲述故事的方式很舒服，他笔下的阿富汗看上去很真实，我们现在知道的阿富汗像是一个地狱的国度。但是作者写出了它曾经美好的样子。阿米尔和哈桑的童年和我们没有什么区别，反而因为彼此陪伴，显得比现在的孩子还更加幸福一点。哈桑是个从头到尾从里到外无可挑剔的孩子，不管是性格还是为人处事，都是个纯净干净得仿佛天使一样的人。作者从主角的视角叙述，实际上我们也不知道哈桑是不是真的就是个天使，因为阿米尔视角的哈桑实在是个集世间所有美好的品性于一体的人，在这样的人身边生活，我觉得压力还蛮大的，其实上阿米尔性格中的很多部分都是一个人类身上很正常有的感情，比如阿米尔小时候很自私，又很胆小，没什么男子汉气概，做事最先想到自己，这些思想都还算是正常的。但是他身边有个哈桑，和这个近乎完美的人类生活的时候，阿米尔身上的人类很正常的缺点就被放得很大，以至于我看的时候也会先骂一骂阿米尔。看完觉得实际上他是个很了不起的人，他很清楚自己身上的罪孽，很有自知之明，最后转变之后踏上再次成为好人的路，正视了自己的错并毕生为自己做过的事赎罪。这是一般人都很难做到的事。而最后他被阿赛夫打得半死的时却发自真心的笑着，觉得自己内心真正舒坦了。句被两个人铭记在心中一生的话语∶为你，千千万万遍。诉说着这两个人超越了普通情感之上更为深刻的感情。并震撼了我们千千万万的人。

总的来说，《追风筝的人》感动我还有很多地方，很多画面，比如哈桑的弹弓，多年之后他儿子同样掷起了弹弓拯救了他最重要的那个人，而阿米尔最后也拯救了他最重要的人的儿子。阿米尔的父亲宁死也不愿做违背自己道义的事，却也为着多年前犯下的错赎罪余生，成为了更为优秀的人。这些细节描写的生动，仿佛你就直接看着他们的故事。所以我看完第一反应是震撼，为他们的故事，也为那些显得尤为真实的角色。

阿富汗至今也不平静，战争摧残下的它就是个人间地狱，但是作者给我们还原了一个真实的阿富汗，他曾经的美好与现在的对比也让人对战争和那些披着人皮的_更为痛恨，在这之间有人会站起来为了结束这一切而奔走，有人会为了曾经逝去的一切而更加珍惜眼前。《追风筝的人》带给许多人就是这样的力量。由人心中的残留的爱引导出来的希望的故事。

Read the O. Henry "the last leaf", I was deeply touched. Came down with pneumonia Johncy girl ivy leaf on the wall outside the window as his own life. Look at pieces of falling leaves, she couldnt help but pessimism and despair, she felt that the last one fall, she also want to go to. Old painter Mr Behrman is also suffering from pneumonia in the last leaf fell down in the evening, laid it on the wall in the rain for Johncy painted the last leaf, he died.

Johncy collapse because of her illness, and even pessimistic to the life on the leaves. She thought that the last leaf fall, she is free. Treat life, optimistic and pessimistic people will make a different choice: optimists in time will be facing death to life full of hope, brave fight for their own life and death; While pessimistic person, even with a healthy body, because the bad state of mind you are blasted the vigorous life.

In the story, Mr Behrman painted the ivy leaf, not just a leaf, it is not just a picture, it is the symbol of people unremitting pursuit of hope, also reflects the Mr Behrman, kind heart. It gives Johncy living courage and hope, and to heal her pneumonia.

In this life and death struggle, Johncy because Mr Behrman that a leaf, the great spiritual power, set up the confidence, to overcome the disease and brave to fight the disease, withered life finally erupt again. In fact, everyone will encounter difficulties and setbacks, the key is to see if you have confidence, can be brave to face it, overcome it.

In life, in the face of difficulties, in the face of challenges, just keep the optimistic positive attitude, brave to challenge, even if failure, there will be no regret. Lets paint in his heart that a piece of falling leaves, not positive in the face of life.

读过欧-亨利的《最后一片叶子》之后，我深深地被感动了。患 了 肺炎Johncy姑娘把窗外墙上的常春藤叶子当作自己的生命。看着叶子一片片飘落，她不禁悲观而又绝望，她觉得那最后一片掉下来，她也要去了。同样是身患肺炎的老画家Behrman先生在那片仅剩的叶子落下去的晚上，顶风冒雨在墙上为Johncy画上了最后一片叶子，便与世长辞。

Johncy因为自己的病而一蹶不振，甚至悲观到了将生命寄托在叶子的身上。她以为最后一片树叶落下，她也就解脱了。对待生命，乐观的人和悲观的人会作出截然不同的抉择：乐观者及时面对死亡也会对生命充满希望，勇敢的为自己的生命而与死神搏击;而悲观的人，即使拥有健康的体魄，也会因为不良的心态也会使旺盛的生命枯萎。

在故事中，Behrman先生所画的那一片常春藤叶子，不只是一片叶子，也不只是一幅画，它是人们对希望不懈追求的象征，也映射出了Behrman先生善良的心灵。它给了Johncy生活下去的勇气和希望，并使她的肺炎得以治愈。

在这生与死的抗争中，Johncy因为Behrman先生的那一片叶子，产生了巨大的精神力量，树立了战胜病魔的信心，并勇敢地与病魔作斗争，枯萎的生命终于又重新勃发了生机。事实上，每一个人都会遇到困难和挫折，关键是看自己有没有信心，能不能勇敢地去面对它，战胜它。

在生活中，面对困难，面对挑战时，只要保持着乐观积极的心态，勇敢地去挑战，即使失败，也不会有遗憾。让我们在自己心中描绘出那一片不落的叶子，积极向上的面对生活吧。

《汤姆·索亚历险记》以其浓厚的深具地方特色的幽默和对人物敏锐观察，一跃成为最伟大的儿童文学作品，也是一首美国“黄金时代”的田园牧歌。下面是语文迷为大家提供的《汤姆·索亚历险记》英语读后感，希望对你有帮助。

I believe that one of the factors that makes a piece of literature or even a movie a masterpiece is how well the reader can relate to the story. This is definitely a book everyone can relate to.

The Adventures of Tom Sawyer is a literary masterpieces, written in 1876 by the famous author Mark Twain. Tom Sawyer is a mischievous young boy who lives in the small town on the Mississippi River called St. Petersburg. The story line is simple, the book reads like a biography or a memoir of a summer in Tom Sawyers life.

Tom Sawyer seems to be the precursor of and the template for misfit kids such as Dennis the Menace, Malcolm in the Middle, and Calvin and Hobbs. What makes this story great is that Tom Sawyer represents everything that is great about childhood. The book is filled with Toms adventures playing pirates and war with his friend Joe Harper. Tom has a trusted friend, Huck Finn, who few of the adults approve of. The book is filled with ideas of how the world works, such as how pirates and robbers work, that are so innocent, they could only come from a child. It is a story filled with action, adventure, ingenious ideas, love, and schoolyard politics. The whole story is seemingly a complication of what people did or wish they did during their childhood.

The book is a little difficult to read at first. Personally, it takes me a little while to get used to the 19th century dialect in the book. Other than referring to persons of African decent in derogatory terms (which Im sure uses terms even young children already know), the book would be an enjoyable read for people of all ages. I highly recommend this book for anyone looking to feel young again, if just for a few hundred pages.

故事的主人公汤姆是个天真、活泼而又顽皮的典型美国少年。他和野孩子夏克，各干出了许多令人捧腹的妙事。像汤姆被罚粉刷围墙，竟施出诡计，不但使别的孩子心甘情愿代替他工作，还自动奉上谢礼。后来和夏克逃到荒岛去，人们以为他们淹死了，正在教堂为他们举行丧礼，而他们却躲在教堂的钟楼上偷听。这些顽皮的举动，虽然不能给我们做模范，但是，他为了正义，毅然地挺身出来作证人，拯救那无辜的罪犯沫夫彼得。并在顽皮之余，居然和夏克破获了一桩谋杀案，成为众人钦佩的小英雄。看来，汤姆也有值得我们学习的地方。

人总是会长大的，除了个儿长高了，身子强壮了以外，人的思想也在长。你对世界的看法不同了，懂事了，不再幼稚了。不过人是要越变越好才是。千万不能像历险记里的那个心狠手辣的坏蛋卓伊一样，他坏事做尽，人见人憎。但最后他还是恶有恶报，得到了一个活活饿死在山洞里的下场。

看完《汤姆索亚历险记》，我真羡慕汤姆能有如此有趣的经历。这本书让人看起来津津有味，甚至废寝忘食。我想，《汤姆索亚历险记》在你烦闷的时候或许能让你一笑解千愁。

Ive read this twice. The first time I rushed through it just to find out who was the "victim." Yeah. Wasnt really surprised about that. Im sure a few people are thinking it was a serious mistake to off our lamented victim, but honestly, I wasnt really enthused at having to slog through this book.

I understand that this is covering the adolescent years of young Mr. Potter, but the whole teenage angst thing came out of nowhere. There shouldve been some hints as far back as "Chamber" but instead, we have four years of pent-up hormones come flooding out of the page. It is overwhelming at times, a feeling made worse when you realize that there wasnt a big plot; if anything, this was written partially for contract, partially to continue the story （I, personally, could have lived without the whole Hagrid/Grawp subplot, not to mention 50% of Dolores Umbridge, who herself is part pun, part metaphor, yet neither part really does anything but make one groan）。

But one thing to be said, there is growing tension and suspense in the book, which is written and intended--if we remember for a moment and think （perhaps somewhat na-iv-ely）--for young adults and not those of us with seasoned palates. This is why the book deserves a high rating; to me--and to many individuals over the age of, say, 16--this isnt a great novel. But it is an excellent novel for the young adult crowd and anyone who wants a mystery/fantasy/pseudo-thriller with characters who are reaching the genesis of their development. We may not like the person Harry becomes or the browbeating attitude of Umbridge or Rons jealousy rearing its head at odd turns, but it is a realistic portrayal of adolescent confusion and angst, of the tendency for some individuals in todays society to repreinformation and punish anyone who tries to resist the "system."

Yes, this is a heavy-handed statement, but this book is a metaphor as much as it is a fantasy. Remember, the Harry Potter series is desgined as an arc, so we naturally have to have the stage set for the final two books in the saga.

Hardcore Potter fans will enjoy this. Anyone expecting a great epic, however, will be disappointed because of their misconceptions.

昨天一个晚上看完了《追风筝的人》，刚刚又把电影下下来看了，多次哭成泪人。感动于爸爸的挺身而出，更感动于哈桑的忠诚和无私奉献。不得不承认开始我是很气愤的，为什么阿米尔那么懦弱，为什么哈桑可以那么无私，这不公平!直到后来看到阿米尔那样不顾一切要将索拉带出阿富汗时我释然了，这就是因果轮回，最后阿米尔对索拉说出“为你，千千万万遍”时我终于可以放声痛哭了。

作者不愧是一名伟大的storyteller，虽说这是小说，但是我读起来感觉就是在读真真切切发生在作者身上的故事，富有情感，真实得不能再真实。而且小说中设置了2个悬念，真的是高潮层层叠起：第一处悬念是阿米尔从拉辛姆口中得知哈桑是他同父异母的弟弟;第二处悬念是带走索拉的竟然是当初欺负哈桑的阿瑟夫。而历史又总是惊人的相似，小时候是哈桑拿出弹弓保护阿米尔少爷不被欺负，中年后还是哈桑的儿子索拉拿出阿米尔小时候送给哈桑的弹弓将阿米尔凑个阿瑟夫手中救出。不过我相信美国的环境一定会让索拉有尊严的活着，不会再像他爹那样只知道一味的付出。取舍取舍，一定是既要有付出又要有索取，且要对等。正是因为哈桑一味的舍，阿米尔一味的取，造就了哈桑和阿米尔的决裂，阿米尔长久的内心折磨和哈桑的悲惨结局。而当阿米尔将哈桑的舍还到索拉身上时，世界豁然开朗。

看这本小说真的是第一次觉得信仰宗教是一件美好的事情。一直觉得只有经历过极端痛苦困惑的人才会寻求宗教慰藉，当然我现在还是这样想的，若不是一路的经历阿米尔也不会由不信变得虔诚的。但是真的觉得信仰一个宗教的人很美好，好吧，我找不到除“美好”以外别的词来形容此刻的感觉。

既然小说描写的是阿富汗，那么就不得不让人想到恐怖主义了。但是看完这本小书后真的觉得阿富汗是个可怜的国家，如果能有机会为它做点事情的话，会义不容辞的(这就是故事的力量!)。但阿富汗不等于塔利班，塔利班更不能等同于阿富汗。读完这本小说之后再次坚定了我对恐怖主义的认识：恐怖主义就是一小部分坏人(比如阿瑟夫之流)利用历史上的特殊(脆弱的)节点创造了一个恶的情境，而其他随从则被迫在这个恶的情境下或被迫或被引诱到被鼓励做恶的事情，包括阿瑟夫的两个跟班以及之后作为塔利班高管控制的其他人，也包括那个在阿米尔他们出境时碰到的那个嗑药的俄罗斯士兵。在这种情况下如能有英雄出场，那么情况可能会改变，在阿富汗整个大环境里没有有能力的英雄出现，其实我觉得阿米尔妻子的将军爸爸是可能也应该挺身而出的，可惜他没有，而是期望哪天战争结束当局能招他回去继续做他的高官。而阿米尔的爸爸却是个不折不扣的英雄!在俄罗斯士兵意图强奸一名女难民时他冒着吃枪子的危险挺身而出，丝毫不管不顾他儿子的感受，他一点犹豫都没有，仿佛这是他的使命，确实也是，他简直就是正义的化身，他为孩子们修建恤孤院，帮助无数人过上更好的生活，他受万人敬仰是绝对有道理的。

这我也是第一次才了解俄罗斯入侵阿富汗这段历史，所以当阿米尔爸爸带着他在酒吧喝酒时对所有人大喊“Fuck Russians”我也觉得骂得很爽。强国欺凌弱国是多么地可恨，就如同阿瑟夫欺凌哈桑。就像美国满世界到处欺负小国，干预他国内政，越南战争，朝鲜战争哪个不是美国引起的，哪个不是伤痕累累。我对历史一向不感兴趣，这是多么地狭隘和无知呀，以后一定找机会把这些历史知识补起来!又想到了卢旺达，卢旺达大屠杀时联合国维和部队如果能够干预或许能将事态改变，但是当他们撤出后国内的各个派别又该怎么办?又是一个dilemma!出路是什么?求同存异(不仅仅是各个国家之间，也是一个国家里各个党派之间)?说起来容易做起来难。

在这个太不太平的世界里真为生在还算太平的中国而庆幸。

为你，千千万万遍。纪念哈桑和阿米尔的友谊。

有一个名字让我们震撼于他，他就是英国作家福迪写的长篇小说中的主人公鲁滨逊。他凭着一种坚持不懈，勇敢顽强的精神在一个荒无人烟的小岛上生活了长达28年的艰辛时光。

鲁宾逊在一个小岛上以聪明才智战胜了一切的一切，他在岛上先采野果子充饥，接着就驯养山羊来了，用山羊肉来充饥。有一天他无意中掉落了几颗种子，这时才发现原来这种子可以种出粮食，而这粮食又可以充饥，于是他便开始种植水稻粮食。这种勇敢顽强的精神让我不得不佩服，他在没食物吃的情况下还能这样的勇敢顽强的去寻食物，找粮食。如果换作是我在这个荒芜人烟的小岛上肯定会自暴自弃，自己对自己说：“算了吧，不会有食物的，干脆等死吧!”

还有一次鲁滨逊在岛上生了病，没有药，但是鲁滨逊依然没有放弃对生活的信心，靠自己超人的意念战胜了病魔。

读完了这本书后，很佩服鲁滨逊坚持不懈的精神，所以我决定像鲁滨迅学习，做一个永不放弃的人。

Let us have a name impressed by him, he is a British writer foudy writing novels the hero Robinson. He with a persistent, brave tenacious spirit living in a deserted island for 28 years of hard times.

Robinson on an island with intelligence over everything, he on the island to pick wild fruit to eat, and then began to domesticate goats, with the goat to appease your hunger. One day, he accidentally fell a few seeds, at this time only to find that the original seeds can grow food, and the food can cure hunger, so he began to grow rice grain. Let me have to admire this brave tenacious spirit, he can in the case of no food to eat such a brave stubborn to find food, looking for food. If I in the deserted island will abandon, his said to himself: "come on, there will be no food, just waiting to die!"

And once on the island, Robinson sick, no medicine, but still didnt give up on life, Robinson to the idea of superman beat the cancer by yourself.

After reading this book, admire Robinson perseverance, so I decided to like LuBinXun study, to be a person who never gives up.

“在期待中失望，在孤独中疗伤，在告别后坚强，受伤也绝不投降。”这是影片的片尾曲，也概括出哪吒的成长经历。

哪吒本应该是灵珠转世的大英雄，但因为申公豹的阻挠，意外成为无恶不作的魔丸转世，并且三年后的生辰将有天雷下凡劈裂魔丸。哪吒刚出生就被大家当做妖怪关在家里，不能出去玩。

一岁的哪吒想出去和小朋友们玩，偷偷溜出家门，却被大家排挤欺负。“既然人们说我是妖怪，我就当妖怪给他们瞧瞧！”哪吒越来越空虚，李靖夫妇希望哪吒振作起来，斩妖除魔保护百姓，为了鼓励哪吒，谎称他是灵珠转世，哪吒信以为真，拜太乙真人为师，学习法术。在一次捉妖救下小女孩时，认识了真正灵珠转世的敖丙，两人成了彼此唯一的朋友，但是又被陈塘关的百姓误会。禁足家中。人心中的成见就犹如一座大山，任凭你如何去努力也无法移动它，哪吒十分想被人们接受认可，但他每次满心期待地尝试，换来的却是人们的排挤谩骂。

哪吒兴高采烈地邀请唯一的朋友敖丙参加自己的三岁生日宴会，全然不知他才是自己最大的敌人。生日宴会上得知自己身份的哪吒走火入魔，六亲不认，敖丙及时控制住了他，却暴露了龙族的身份，迫不得已的敖丙决定埋掉陈塘关，而此时的哪吒从一个杀人不眨眼的混世魔王变成了守护全村百姓的大英雄，打破了敖丙的计谋。

“若命运不公，就和他斗到底！”敖丙和哪吒合力抵抗天雷，经过太乙真人的帮助，保住了魂魄。这部电影中有许多令人难忘的地方：“白白搭上一条命，你傻不傻？”“不傻，谁和你做朋友？”哪吒与敖丙真挚的友情感动了我；“我命由我不由天，是魔是神，我自己说了算！”“我的命我自己扛！”哪吒不屈不挠的精神触碰到了我。

生活中，像哪吒这样向命运斗争的人仅有区区几个呢？人们通常遇到一些困难挫折就会说命该如此、命中注定、听天由命吧！哪吒虽然是魔丸转世，虽然也有过，但最终还是突破了自我，勇于抗争命运，改变了人们对他的成见，成为百姓心中的大英雄，这种精神值得我们学习，做最好的自己，也会成为自己心中的英雄！

这个暑假我读了《追风筝的人》这本书。

12岁的阿富汗少爷和仆人哈桑情同手足，在一场这风筝的大战后，哈桑去捡风筝，却迟迟未归，阿米尔出去找他，看见了阿塞夫在欺负哈桑，去因为害怕，没有出手相救，导致了这段友谊破裂了。他逼走哈桑后，自已和父亲也逃往美国，但依然没有原谅自己对哈桑背叛·····

从中我觉得阿米尔是一个小人、懦夫，应为自己的害怕，而失去了一段友谊。反之，哈桑却懂得最真挚的友谊是什么样的，哈桑他懂得珍惜这段友谊。

作者用细腻的语言勾勒出背叛与救赎，作者对祖国的爱意显然与对造成他今日沧桑恨一样深。读完这本书，有一句话深深的印在我的脑海里：为你！千千万万遍。

假如友谊是一朵花，我愿意细心地浇水，认真的施肥，才能开出芳香四溢的花;假如友谊是一棵树，我要全心全意的浇灌，才能长出鲜嫩的枝芽。

How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness. I think it is the most important information implied in the novel by Dickens-he believed that goodnecould conquer every difficulty. Although I don’t think goodneis omnipotent yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.

For me the nature of goodneis one of the most necessary character for a person. Goodneis to humans what water is to fish. He who is without goodneis an utterly worthleperson. On the contrary as the famous saying goes ‘The fragrance always stays in the hand that gives the rose’ he who is with goodneundoubtedly is a happy and useful person. People receiving his help are grateful to him and he also gets gratified from what he has done and thus he can do good to both the people he has helped and himself.

To my disappointment nowadays some people seem to doubt the existence of the goodnein humanity. They look down on people’s honesty and kindness thinking it foolish of people to be warm-hearted. As a result they show no sympathy to those who are in trouble and seldom offer to help others. On the other hand they attach importance to money and benefit. In their opinion money is the only real object while emotions and morality are nihility. If they cannot get profit from showing their ‘kindness’ they draw back when others are faced with trouble and even hit a man when he is down. They are one of the sorts that I really detest.

Francis Bacon said in his essay ‘Goodness of all virtues and dignities of the mind is the greatest being the character of the Deity and without it man is a busy mischievous wretched thing no better than a kind of vermin.’

我曾读过一句话:“许多年过去了,人们说陈年旧事可以被埋藏,然而我终于明白这是错的,因为往事会自己爬上来。”它出自卡勒德，胡赛尼的《追风筝的人》。在今年暑假，我读完了这本书。

它进述了一个沉重的故事:阿米尔，一名阿富汗贵族少爷。他的母亲因他难产而死,自小他便和从亲一起生活。因为生性儒弱，或因为自己间接导致了母亲的死亡，阿米尔认为这就是自己不得父亲喜欢的原因。在他的童年中，始终在做出各种努力去获得父亲的关注，也始终徒劳无功。

阿米尔和仆人阿里的儿子哈桑，是自小的玩伴。哈桑也没有母亲，不同的是，哈桑的母亲是选择了消失逃离。而阿米尔，虽与哈桑朝夕相处,却在心底始终以为哈桑是仆人，是文盲，是哈扎拉人而瞧不起他。同时不解父亲为何对阿里父子如此友善,他嫉妒哈桑。而哈桑对阿米尔却“忠诚的像一条狗。”

在一次风筝比赛中，阿米尔拔得头筹，哈桑则为他去追那只象征荣誉的风筝。阿米尔赶到时、哈桑正被一个贵族子弟所威胁欺辱,但向阿米尔逃走了，他没有像哈桑曾经挺身而出去保护他那样。这使他一生蒙上愧疚的阴霾，便哈桑的身体留下不可愈合的伤害。

出于愧疚，阿米尔无法面对哈桑。他诬陷哈桑偷窃，使阿里父子离开。而后又和父亲一起逃往美国,以避开阿富汗的战争，在美国度过颇为困苦的生活后,阿米尔结婚了，而父亲此时也去世了。这时，父亲的好友拉辛汗到来,向阿米尔坦白一桩埋藏多年的秘密:哈桑也是父亲的孩子，是阿米尔真正意义上的兄弟。阿米尔不得不回到阿富汗，寻找已逝哈桑的遗孤。在经历种种的阻碍、报应、伤害、背叛后，阿米尔逐步走向救赎的路。

我之所以如此详细地描述这个故事,是因为这本书本身就在用细腻的笔触勾勒人性的本质，当我发现一两句话概述不了这个故事时，就选择尽可能完整地复述它。

作者在前言中写到，当时他并不同意出版这本书,世界对阿富汗的印象只有塔利班、本.拉登和反恐战争,到处都是对阿富汗人的误解和偏见。但最后，她妻子的一句话使他决定发表：“他们妖魔化，你可以人性化。”

的确,这本书成功塑造一个又一个的人物，使他们栩栩如生：阿米尔的懦弱令人咬牙切齿，父亲严厉刻薄背后的真相也使人愤懑不平，阿富汗残酷的战火销烟;塔利班的暴虐行径;向人们构造了一个无力的世界——同时也是现实。

书中的每一个人，似乎都在自己的罪行和救赎中活着：阿米尔的父亲,他做错了事，便用自己的深切自责带来善行一他施舍穷人、建立恤孤院、善良正直,这些通通是他自我救赎的方式，他是一个了不起的人。"当罪行导致善行,那就是真正的获救。”

我读完这本书后，感受到一股荡气回肠的自在一它确实是一本温暖的书，充满人道主义色彩。我相信每个人都且能在这本书中找到自己的风筝。希望大家都能来看一看这本书,了解阿富汗每个布满灰尘的面孔下的灵魂。

那些曾经让你处心积虑想要摆脱的人，反而会随着时间推移朝思暮想。那些曾经让你千方百计想要遗忘的痛，反而会随着时间流逝撕心裂肺。

阅读过程中，对于哈桑自始至终都充满感动与敬佩。对阿米尔少爷，感情很复杂。起初因为他欺骗哈桑鄙视他，后来因为他陷害哈桑讨厌他。然而放下小说，我开始反思自己。每个人都有软肋，贵为少爷的阿米尔，受众人拥戴，可就算读再多的书，写再好的文章，也因为不是他父亲期待的样子，而得不到半点赞扬，父亲的爱成了他的软肋。当我们的软肋被别人戳中时，谁还敢说不会辜负、伤害任何人呢?我是无法保证。所以当阿米尔最终赌上生命踏上了那条可以再次成为好人的路后，我便轻而易举地原谅了他，并不是每个人都有机会和勇气为自己赎罪的。

哈桑说：为你，千千万万遍。这是承诺，更是忠心。阿米尔说：为你，千千万万遍。这是感激，更是愧疚。年少时，在家乡阿富汗，风筝飞起的时候，是阿米尔和哈桑最快乐的时光。中年时，在他乡美利坚，风筝飞起的时候，是阿米尔和哈桑儿子索拉博最安心的时光。

不要指望时间会帮你抚平伤口，忘记一切，往事会自己爬上来。如果无法挽回你的过错，那就记得行善吧，当罪恶导致善行，就是最大的救赎。

我今天读了《老人与海》这本书，它讲的故事令我非常感动。

老人在八十一天没有捕到鱼之后，他终于捕到了一只剑鱼。可是，在他回来的路上，他遇到了一只鲨鱼，他与鲨鱼搏斗一场，最后，老人失去了他捕到的剑鱼，他又空手而归了。

老人永不言败的精神感动了我，在他与鲨鱼搏斗时说：“你可以杀死一个人，但你永远不可以打败他”。老人宁死不屈的精神让我为之震撼，我又想起了司马迁，他也没放弃自己的生命，终于写成了《史记》；我又想起了张海迪，她瘫痪在床，但还是用吉它歌唱自己的人生；我还想起贝多芬，他双目失明，双耳失聪，却写出了9部交响曲……

我终于明白自己平常生活中，无论遇到怎样的困难都不能放弃，要坚持，这样才能成功。